The Capella degli Scrovegni is a must-see during your visit to Padua or a nice day trip from Venice.
Padua’s Scrovegni Chapel houses an exceptional fresco cycle by Giotto, who is considered the first in a line of great artists who contributed to the Renaissance.
Reservations to the Scrovegni Chapel must be made in advance.
You can easily buy your tickets on the Select Italy website. Reserved entrances are every 15 minutes from 9:00am to 6:45pm. Entrance tickets include admission to the City Museum Eremitani and the Zuckermann Palace.
Seven reasons to see the Scrovegni Chapel in Padua
1) The fresco cycle contained in the Scrovegni Chapel is considered one of the most important masterpieces of Western art.
Commissioned to Giotto by the affluent Paduan banker Enrico Scrovegni in the early 1300s, it depicts the lives of the Virgin Mary and Christ in an accessible, down-to-earth way that constituted a break from earlier and contemporary art. The building that houses the fresco, also known as the Arena Chapel because it stands next to an ancient Roman arena, is located in Piazza Eremitani, within Padova’s historic center, a short walk from the train station.
2) The Scrovegni Chapel is the best preserved painting by Giotto, “the most sovereign master of painting in his time,” wrote his contemporary Giovanni Villani.
Giotto’s painting technique revolutionized Italian art, with the Scrovegni Chapel representing his most influential work. The chapel contains some of Giotto’s most famous works, including The Lamentation, the Raising of Lazarus, Marriage at Cana, and Noli Me Tangere (“Do not touch me”). Showing manifold genius, Giotto di Bondone, born near Florence, is the man who designed the slender Campanile standing on Piazza del Duomo in Florence, part of the complex of buildings that make up Florence’s Cathedral.
3) The Scrovegni Chapel is the precursor of the Italian Renaissance.
Giotto’s figures are not stylized or elongated as in the Byzantine models of his contemporaries. They are three-dimensional, with faces and gestures based on close observation; they wear clothes that hang naturally and have form and weight, rather than formalized drapery. Giotto made large use of perspective, creating the illusion of space. He for the first time showed human emotion in a realistic way, setting his work apart from that of his contemporaries.